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Those who have been reading my blog for some time know that my premises concerning Psalms are that 1) Psalms are written by and large about Christ, and 2) Psalms contain dialogue.
Disclaimer: I promise that the original ideas (to the best of my knowledge they are original) presented here, concerning verses 3-5, are neither simple for me as author to compose, nor as readers will they be simple for you to follow. This psalm requires effort and takes time.
Concerning dialogue, many psalms contain conversation, or speech, directed from one party to another. The speech occurs in blocks of varying length to or from the major characters. Considered as a unified whole, the major characters in Psalms are 1) God, 2) His Son the King, 3) the King’s people, 4) God’s enemies, who are also enemies of the King, and 5) at times, an unidentified narrator.
Psalms is a high drama that tells the story of God’s chosen King and his people. Once the reader has perceived and experienced speech in certain of the psalms, it proves difficult not to look for and find it in other psalms. The speech and drama expressed in individual psalms unites them into a continuous, passionate story about the main characters, especially God’s Son, the King.
Psalms with clear examples of speech include Psalms 2, 89, and 110. Hebrews 1 quotes several psalms as though God himself were speaking directly about his Son through them. Psalm 22 also contains speech.
Psalm 22 and Speech
1. First Person Singular (verses 1-2, 6-21) Speaker: the psalmist, the Lord, Christ at his passion. Christ spoke a portion of verse 1 while hanging on the cross (Matthew 27:46; Mark 15:34), “My God, my God, why have you forsaken me?” (Psalm 22:1a, ESV) Verse 1 in particular marks this psalm as prophetic. Addressee: God
2. Third person reported speech (verses 7-8). Speaker: The first person speaker of verses 1-2 and 6 is quoting in third person what the mockers are saying to him. Addressee: those whom the first person speaker addresses in verses 3-5 (see below.)
Within the actual setting of the Crucifixion event of the Christ, i.e., Jesus Christ’s being crucified, there really was a chorus of mockers present at the foot of the cross who spoke words similar to those of Psalm 22: 6-7. Matthew records various examples of mockers in Matthew 27:39-44. (See also Mark 15:29-32.) Luke also records the speech of mockers in Luke 23:35-39.
3. First Person Plural (verses 3-5). Speaker: either 1) the same speaker as in number one above, or 2) a choral group of speakers. Addressee: if 1), the same speaker, then the addressee is God. If 2) a choral group, then the addressee is the first person singular speaker of verses 1-2.
My viewing this block as possibly being spoken by a chorus is to my knowledge original. Therefore, I cannot point to confirmation from another. I would prefer being able to cite someone else who reads the psalm this way.
- Within the setting of a readers’ theater type of dramatic performance (See Psalms 9 and 10: A Readers Theater), a group of speakers functioning as a chorus is entirely logical, reasonable, and possible.
- Other psalms containing clear-cut examples of a chorus of speakers representing the people of God are the following: 20, 46, 48, 95, 100, 118, and 132.
- The block of speech found in verses 3-5 is set off by contrastive conjunctions.
- Most English versions begin verse 3 with either of the English words, “but” or “yet.”
- The contrastive conjunction is present in both Hebrew and Greek versions.
- The block ends with verse 5, and to indicate this, verse 6 presents another contrastive conjunction, which appears as “but” in English.
- The sense of this block contrasts in content from the prior two verses and the following protestation by the original first person singular speaker.
Here is a paraphrase of verses 1-8 interpreted as a Readers Theater dialogue. The text utilizes the New King James version.
Superscript: To the Chief Musician. Set to “The Deer of the Dawn.” A Psalm of David.
The Christ addressing God (verses 1-2): My God, My God, why have You forsaken Me? Why are You so far from helping Me, And from the words of My groaning? O My God, I cry in the daytime, but You do not hear; And in the night season, and am not silent.
Chorus of Faithful Followers addressing the Christ (verses 3-5): But You are holy1, Enthroned in the praises of Israel! Our fathers trusted in You; They trusted, and You delivered them. They cried to You, and were delivered; They trusted in You, and were not ashamed. [1 See footnote below describing Christ as the Holy One of God]
The Christ responding to the chorus’ objection (verses 6-7): But I am a worm, and no man; A reproach of men, and despised by the people. All those who see Me ridicule Me; They shoot out the lip, they shake the head, saying,
Mockers (verse 8): “He trusted in the LORD, let Him rescue Him; Let Him deliver Him, since He delights in Him!”
The Christ addressing God (verses 9-10, etc.): But You are He who took Me out of the womb; You made Me trust while on My mother’s breasts. I was cast upon You from birth. From My mother’s womb You have been My God…
Casting this portion of Psalm 22 into a Readers Theater dialogue adds depth and richness to an already deep, rich psalm. The dialogue serves to emphasize the prophetic nature of the psalm. Today’s readers must always bear in mind that when Psalm 22 was first “performed,” Messiah was still centuries in the future. His name had not yet been spoken. Worshipers of God were for the first time learning that there was indeed a Son, a King, a Chosen One of the Lord Jehovah, appointed by him and destined by him for his people to worship. This was all new. Much of the psalms serve as an announcement and description of what the life of the future Christ would be like.
As the dialogue above opens, the reader hears the first speaker wailing out to God in sorrow for his dreadful suffering. Then the chorus, who have been watching and listening, object with loud surprise and dismay, “But how can this be? You are so-and-so.” Clearly, the prophet behind these biblical words has given the chorus the role of seeing and knowing the identity of the suffering one, “This is none other than our God himself!” “How can you be suffering? You are our God, whom we have known and trusted for generations! You had the power to deliver us. How can you now say that you are forsaken of God?”
The first speaker turns toward the chorus and replies with an objection of his own, “But it is not as you say. I am a worm and not even a man. I am a reproach of men, and despised by the people. Look! Here’s proof. All those who see Me ridicule Me; They shoot out the lip, they shake the head. This is what they are saying about me. Listen.”
Then, as though they were also present on stage, the mockers repeat their mocking, “He trusted in the LORD, let Him rescue Him; Let Him deliver Him, since He delights in Him!”
At this point the first person speaker turns away from the chorus, having answered their objection, and turns toward God, whom he had been addressing at the beginning. He begins, “But you are he who…” It is as though he is continuing his thought from verses 1 and 2 while interweaving those sentiments with what his mockers have just spoken. “This is what the mockers are saying about me, but you, my God, are not like them. You are not one of them. You appear to be abandoning me, but why? You are he who took Me out of the womb; You made Me trust while on My mother’s breasts. I was cast upon You from birth. From My mother’s womb You have been My God…What a long history we have together. Why are you forsaking me now?”
Evaluation of Above
There is nothing in the text that could possibly prove that the readers theater interpretation is correct. Neither can it be proved that this interpretation is not possible and is incorrect. Further, there is much in the text, in the psalms as a whole, and in the New Testament that could bear witness to a dialogical–readers theater–interpretation.
From a literary standpoint, the readers theater interpretation makes as much sense as the perception of a single speaker throughout, because of the contrastive clauses introducing the sections. When read out loud straight through, there’s definitely a sense of argument in the words themselves. Either the speaker is arguing with God, arguing with himself, or both. The argument concerns the topic of why God has abandoned the speaker.
If there is only one speaker throughout, then verses 3-5 could fit nicely with the possibility that the speaker is arguing with God. He might be saying, “Why are you abandoning me now? In the past you did such and such for our people. Your abandoning me now is out of character with your past actions.”
Against this interpretation lies the question of why the first person singular speaker suddenly chose to identify himself with the group of believers whom God delivered over the centuries? And once having done so, why would he suddenly switch back to singular to see himself as not even qualifying to be in that group of believers? He states that he is a worm, and not a man. He adds proof that he has many detractors who mock him. Then suddenly, he argues from the other side that God has treated him well in the past. It is God who took him out of his mother’s womb and so forth.
If there is one speaker throughout, then the reader must conclude that he is in a great state of mental agitation and doubt. He flips back and forth between statements of faith in God and statements of self aversion. From what I know of God and Scripture, it makes more sense to me to hear more than one speaker in this section. The first person singular sufferer is talking to both God and the chorus of witnesses who interrupt his prayer to address him directly in disbelief of the situation. Given that the psalm is a prophecy announcing a future occurrence, I find no harm in the readers theater viewpoint. It accurately portrays the truth of the shocking nature of the Christian cross narrative, that the Almighty God Yahweh, who shepherded his people out of Egypt, through the wilderness, and into the promised land, would be the same person who speaks the words of Psalm 22. Such a discord is all but inconceivable. A chorus of God’s people would certainly be shocked at the revelation that their protector and deliverer was now in dire straits, abandoned by Almighty God. And yet, vindication comes in the end.
The plaintive sufferer speaks through verse 21. The descriptions in verses 12-18 closely match the occurrences recorded in the gospel accounts of the scene at the cross of Christ: the Roman soldiers surrounding Jesus (Psalm 22:12), the religious authorities speaking slanderous lies (verse 13), the physical effects of crucifixion (verses 14-15), the enemies surrounding the cross mentioned again (verse 16a), the nail pierced hands and feet (verse 16b), the effects on the body of a hard life of constant exercising, fasting, and hunger, the skin and bones displayed by hanging naked on a cross (verse 17a), the public nature of the crucifixion revealed in the stares and gloating of people (verse 17b), and the soldiers dividing Jesus’ garments by lot at the foot of the cross (verse 18). Verses 19-21a record a direct request for deliverance, “But You, O LORD, do not be far from Me; O My Strength, hasten to help Me! Deliver Me from the sword, My precious life from the power of the dog. Save Me from the lion’s mouth And from the horns of the wild oxen! (NKJ)
The prayer for deliverance recorded in verses 19-21a transitions abruptly in verse 21b, “You have answered me.” The NET Bible places an exclamation point here. Verse 22 announces praise and testimony to be given by the former sufferer to his brothers and in the middle of the congregation. Verses 23-31 form a final prophetic block that concludes this magnificent psalm.
While it is clear that the agonizing sufferer spoke the bulk of verses 1-21a (minus verses 3-5, which could correspond to a chorus, and the reported speech of mockers in verse 8), the announcement of deliverance in 21b, and the intention to praise God in verse 22 (1st person singular), it is not clear who speaks the final section from verses 23-31. Some might conclude that the sufferer of the early part of the psalm sings a praise solo to God at the end. Others hear a cantata, because the ending verses have a mixture of voices that alternate both speakers and addressees. It is not simple to decipher who is speaking to whom and about whom in verses 23-31.
How do we sort these verses? Most commentators find a sharp contrast between the blocks of verses 1-21 and 22-31, which they explain in various ways, none of which can be proven definitively. (See, for example, Craig C. Broyles, 115, 120-122 and Charles Spurgeon, 324.) Verse 21a definitely attaches to the prior verses. Here the sufferer is directly addressing God as he continues to ask for deliverance. Verse 21b, the announcement of answered prayer, is also spoken in first person singular by the sufferer to God. Following this, because of grammatical considerations alone, verse 22 would appear to be the same speaker. Verses 21b and 22 comprise a clear transition between the first portion of the psalm, the passion portion, and the final portion of the psalm, the praise portion.
The remaining verses of the praise portion prove difficult to determine who is speaking. The difficulty stems from the changing grammatical character of the speaker(s) and addressees. On the one hand, the sufferer of the first portion of the psalm might be seen as a sole speaker throughout. In this scenario, the speaker performs before the congregation the vow of praise he gave to God in verse 22. Difficulties for the reader arise, however, as the sufferer alternates between addressing God directly as “you” and referring to him in third person singular as “him,” “the LORD,” and the Lord. He may also refer to himself in third person as “him” in verse 24 and “he” in the phrase “when he cried to him,” (verse 24). While the concept of praising God clearly rings through the entire section, it proves difficult for the reader to follow the speaker’s line of thought exactly. The prior section from verses 9 through 21 did not present these difficulties.
An alternate method of reading the final section would be a readers theater format. This possibility arises due to the heavy Christology of the first section spoken by the sufferer. Readers steeped in remembrances of the gospel accounts of Christ’s passion called forth by verses 1-21, most likely will find in the final sections remembrances of Christ’s sequential role as the ascended, eternal King, as presented in the remaining portions of the New Testament. The following is a suggestion only; it cannot be proven, yet in keeping with the Christology of the first portion, it can help elucidate the prophetic nature of the final portion.
Christ addressing God (verse 22): I will tell of your name to my brothers; in the midst of the congregation I will praise you:
Christ addressing his brothers in the midst of the congregation after his his suffering has ended and just as he announced in the prior verse (verse 23): “You who fear the LORD (Yahweh), praise him! All you offspring of Jacob, glorify him, and stand in awe of him, all you offspring of Israel!”
Chorus of the Congregation speaking in agreement (verse 24): For he [Yahweh of vs 23] has not despised or abhorred the affliction of the afflicted [the sufferer of the first portion of the psalm], and he [Yahweh] has not hidden his [Yahweh’s] face from him [the afflicted sufferer], but has heard, when he [the sufferer] cried to him [Yahweh].
Christ addressing God (verse 25a): From you comes my praise in the great congregation; [a reality unfolding in the choral reading of this very psalm]
Christ addressing himself or the listeners/audience (verses 25b): my vows I will perform before those who fear him.
Christ addressing the congregation or the audience (verse 26a and b): The afflicted shall eat and be satisfied; those who seek him [Yahweh] shall praise the LORD [Yahweh]!
Or, chorus of the congregation addressing the audience (verse 26a and b): The afflicted [the former sufferer, whom the congregation recognizes as the Christ] shall eat and be satisfied; those who seek him [the same former sufferer] shall praise the LORD [Yahweh God]!
Christ addressing the congregation (verse 26c): May your hearts live forever!
Chorus of the Congregation offering the praise announced in verse 26b (verse 27a): All the ends of the earth shall remember [the suffering and exaltation of the Christ] and turn to the LORD [Yahweh, or the exalted Christ],
Chorus of the Congregation addressing Christ (verse 27b): and all the families of the nations shall worship before you [the exalted Christ].
Chorus of the Congregation prophesying about the Christ, whom they identify with Yahweh (verses 28-31): For kingship belongs to the LORD [the Christ, the sufferer of the prior portion whom they recognized as their God in verses 3-5], and he rules over the nations [gentiles, a new addition]. All the prosperous of the earth eat and worship; before him [Christ] shall bow all who go down to the dust, even the one who could not keep himself alive. Posterity shall serve him [Christ]; it shall be told of the Lord [Adonay] to the coming generation; they shall come and proclaim his righteousness [the Christ’s] to a people yet unborn, that he has done it.
The strength of viewing Psalm 22 in the above fashion is that it binds together the psalm as a whole, unifying the two perhaps disparate sections. The tension of the conflict between the protector/deliverer God of verses 3-5 with the sufferer of verses 1-2 and 6-21 is resolved in the recognition that his story turned out good in the end. God delivered him from his affliction.
Another strength of the readers theater style of interpretation is that the promise of praise in verse 22, “I will tell of your name to my brothers; in the midst of the congregation I will praise you:” (ESV) is fulfilled and acted out even in the psalm itself.
More than that, in the context of the Christ story, the final four verses speak words that are true of both God and his Christ. Their identities seem melded. In the end, Yahweh the Christ would be King forever, including over the nations. All mortals would bow and worship before him (See Philippians 2:10 and Romans 14:11).
There is no doubt that some psalms contain speech. For example, in Psalm 2, God speaks directly and is labeled as speaking.
Psalm 2:4 He who sits in the heavens laughs; the Lord holds them in derision.
5 Then he will speak to them in his wrath, and terrify them in his fury, saying,
6 “As for me, I have set my King on Zion, my holy hill.”
Other psalms that perhaps contain speech but bear no labels, present difficulties of interpretation. By the addition of presumed labels, such as those for a readers theater to be presented before a live audience, some of these difficulties might disappear.
The organizers of a live reading in Old Testament times, possibly priests, would perhaps indicate to their audiences who was speaking which lines. They may have offered visual or vocal clues lost in translation. Theater audiences today have no difficulty recognizing who is speaking which lines, because they both see and hear the speakers. If the same audiences, however, were to merely read a script without the parts assigned and that bore neither quotation marks nor paragraph breaks, they most likely would encounter frequent confusion as to who was speaking what, especially if a list of characters was also missing2.
One of my passions in presenting Psalms is to communicate the high sense of life and drama present in them. The psalms are not dry pieces of ancient religious language. They are life giving communications from Almighty God, who knows our form and wishes to tell us that he is intimately involved in our lives. Within Psalms, a tuned in reader can find the complete gospel of Jesus Christ: his preexistence with God and as God, his incarnation, his passion, crucifixion, burial, resurrection, ascension, his Lordship as King over all, and his future role as final judge3. God sent Jesus as Redeemer of the entire human race, because God loves us. God incarnated himself through his Son. Jesus understands us experientially from the inside out. God does not reject us, but he provides a way back to himself. In the person of the suffering and then exalted psalmist, God shows us that way.
1 See the following for references to Jesus Christ as “the Holy One.”
- 1 John 2:20 “Holy One” https://bible.org/seriespage/9-exegetical-commentary-1-john-218-27. W. Hall Harris III refers to Jesus as the Holy One.
- Mark 1:24 by unclean Spirit; also Luke 4:34
- John 6:69 by Peter to Jesus, “You are the Holy One of God.”
- Acts 2:27 by Peter quoting Psalm 16:10
- Acts 13:35 by Paul quoting Psalm 16:10
- 1 Peter 1:15 “the Holy One who called you,” is most likely God. Bob Utley, Bob Utley, https://bible.org/seriespage/i-peter-11-23.
2 An excellent book that explores the intricacies of speech and dialogue in Psalms and other portions of scripture is The Hermeneutics of the Apostolic Proclamation: The Center of Paul’s Method of Scriptural Interpretation by Matthew W. Bates. (See Bibliography.)
3 See Matthew W. Bates, Salvation by Allegiance Alone: Rethinking Faith, Works, and the Gospel of Jesus the King. (Bibliography.)