In the “theodramatic” (1) setting of Psalm 102, the Holy Author creates a divine conversation between Father and Son. Scripture supplies confirmation when the New Testament writer of the Letter to the Hebrews quotes in Hebrews 1:10-12 a portion of the entire dialogue, verses 25-27, writing as a matter of fact that in these verses God addresses the Son. Though not directly stated, God the Father is implied.
Where else can the reader find evidence of this dramatic, readers theater style interpretation? First, reading through the text of Psalm 102, the entire sense of the psalm inevitably reveals a conversation. Minimally, the main speaker addresses God directly in verses 1, 2, 10, and 24. Further direct addresses that carry a different content and tone are found in verses 12-22 and again in verses 25-28. The change in content and tone correspond to a change in speaker. Second, as stated above, the Letter to the Hebrews explicitly identifies a second speaker, God, for verses 25-27. Finally, the Septuagint text leads the way in the Hebrews’ interpretation by plainly labelling in common, everyday language the presence of two speakers, “He [speaker one] answered him [speaker two] in the way of his strength: tell me the fewness of my days” (Psalm 101:23 LXE, verse 24 in modern language versions).
With the presence of two speakers acknowledged, the reader can discern the boundaries of the several speech parts. A reasonable assignment is the following:
- Speaker One (the Son): Verses 1-11 (12 LXX).
- Speaker Two (God the Father): Verses 12-22 (13-23 LXX).
- Speaker One (the Son): Verses 23-24a (24-25a LXX).
- Speaker Two (God the Father): Verses 24b-28 (25b-29 LXX).
When perceived as a divine dialogue between Father and Son, the devotional aspects of this amazing psalm expand greatly.
Bates, Matthew W. The Birth of the Trinity: Jesus, God, and Spirit in New Testament & Early Christian Interpretations of the Old Testament. Oxford University Press: Oxford, United Kingdom, 2015 and Paperback Edition 2016, p 170.